All events held on the Grossmont College campus. Events are free of charge and open to the public. For directions to Grossmont College and a campus map showing the location of the LAF venues, see "Directions" or visit the LAF homepage.
Click the dates or events in the calendar below to link to more information about each, or scroll further down the page.
Apr 27 |
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Jason Schneiderman11am, Griffin Gate |
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New Voices6pm, PVAC |
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Apr 28 |
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Why Lit Matters12:30pm, PVAC |
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Ivy Pochoda2pm, Griffin Gate |
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Apr 29 |
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Phillip B. Williams9:30am, Griffin Gate |
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Aaron Burch2pm, Griffin Gate |
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Apr 30 |
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Deborah Taffa2pm, Room 26-220 |
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Poet and essayist Jason Schneiderman is the author of five poetry collections, most recently Self Portrait of Icarus as a Country on Fire (Red Hen, 2024), as well as a book of essays Nothingism: Poetry at the End of Print Culture (University of Michigan Poets on Poetry, 2025), and the craft book Teaching Writing Through Poetry: An Introduction to Poetic Form (Bloomsbury, 2025). He is Professor of English at CUNY’s BMCC in the MFA Program for Writers at Warren Wilson College.
Jason Schneiderman is the author of five books of poetry: Self Portrait of Icarus as a Country on Fire (Red Hen Press 2024), Finalist for the National Jewish Book Award; Hold Me Tight (Red Hen Press 2020); Primary Source (Red Hen Press 2016), winner of the Benjamin Saltman Prize; Striking Surface (Ashland Poetry Press 2010), winner of the 2009 Richard Snyder Publication Prize from Ashland Poetry Press and
a finalist for the Eric Hoffer Book Award; and Sublimation Point (Four Way Books 2004), a Stahlecker Selection. In addition to editing the anthology Queer: A Reader for Writers (Oxford UP 2016), he has authored a prosody manual Teaching Writing Through Poetry: An Introduction to Poetic Form (Bloomsbury 2025), and of a book of essays, Nothingism: Poetry at the End of Print Culture (University of Michigan Poets on Poetry 2025). Schneiderman's poetry and essays have
appeared in numerous print and online journals and anthologies, including American Poetry Review, The Best American Poetry, Poetry London, The Penguin Book of the Sonnet, and others.
He has received fellowships and awards from Yaddo, The Fine Arts Work Center, The Hermitage, The Fulbright Foundation, and the Poetry Society of America. He is co-host of the podcast Painted Bride Quarterly Slush Pile and has been a guest host for The Slowdown. He is also an editor at Painted Bride Quarterly, and a former Poetry Editor for Bellevue Literary Review.
A self-described military brat, Schneiderman spent his childhood moving frequently, both, in the U.S. and around the world. Having been writing poetry since the age of 16, he attended the University of Maryland on scholarship and studied in Russia for a year. After earning his MFA from New York University, he later received a fellowship from the Fine Arts Work Center in Provincetown, Massachusetts, and a PhD from the Graduate Center of CUNY. On writing and reading poetry, Schneiderman regards it as an emotionally resonant coded language the reader deciphers. He and his husband often use the term “think-feel” to articulate the manner in which thought is innately emotional. Poetry, he says, is a medium in which this can be explored.
Jason Schneiderman is now a Professor of English at the CUNY’s BMCC and teaches in the MFA Program for Writers at Warren Wilson College.
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This event is offered in collaboration with Grossmont College Librarian Nadra Farina and the Americans and the Holocaust traveling exhibit, which is sponsored by the United States Holocaust Memorial Museum and the American Library Association. Based on extensive new research of that period, this traveling exhibit addresses important themes in American history, exploring the many factors that influenced decisions made by the U.S. government, the news media, organizations and individuals as they responded to Nazism. Besides Jason Schneiderman, the exhibit also features historical novelist and memoirist Jennifer Coburn, the author of The USA Today bestseller The Girls of the Glimmer Factory (Sourcebooks Landmark 2025), and Cradles of the Reich Sourcebooks Landmark 2023). Visit the United States Holocaust Memorial Museum to learn more about this important traveling exhibit.
Official Website: https://www.jasonschneiderman.net
Poetry Foundation: https://www.poetryfoundation.org/poets/jason-schneiderman
LinkedIn: https://www.linkedin.com/in/jason-schneiderman-8414843a/
Instagram: https://www.instagram.com/jasonschneiderman/
| Nothingism: Poetry at the End of Print Culture. University of Michigan Press, 2025. |
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Teaching Writing Through Poetry. Bloomsbury Academic, 2025.
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| Self Portrait of Icarus as a Country on Fire: Poems. Red Hen Press, 2024. |
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Hold Me Tight: Poems. Red Hen Press, 2020. |
| Primary Source: Poems. Red Hen Press, 2016. |
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Queer: A Reader for Writers. Oxford University Press, 2016. |
| Striking Surface: Poems. Ashland Poetry Press, 2010. |
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Sublimation Point: Poems. Four Way Books, 2004. |

This popular showcase of writing talent is curated from this semester’s Creative Writing Program workshops and classes. Students are selected by their writing instructors to perform original works of poetry, fiction, non-fiction, drama, and hybrid forms.
Copies of the latest issue of Acorn Review, Grossmont Colleges student-produced literary journal, will be available for sale
at the event. Find out more about Acorn Review, including submissions guidelines and opportunities for editorships on the Acorn staff, at grossmont.edu/acorn.
To learn more about the Grossmont College Creative Writing Program, visit us at grossmont.edu/cwp.

HOSTED BY JULIE CARDENAS AND SARAH STELIGA
This annual, student-favorite event features a panel of Grossmont College students
and faculty sharing moving and powerful personal accounts of the role literature has
played in their journeys, advocating the relevance of literature and its
potential to inspire change, cultivate humanity, and serve us in, both, personal and
global ways.
Learn more about Grossmont College’s English degrees and workshops at grossmont.edu/english.
Photo by Darran Tiernan

Raised in Brooklyn, New York and now living in Los Angeles, American novelist Ivy Pochoda is the critically acclaimed author of seven novels, including These Women (Ecco 2021), a finalist for The Los Angeles Times Book Prize, The Edgar Award, the California Book Award, The Macavity Award, and the International Thriller Writers Award; and Sing Her Down (Picador 2024), which won the LA Times Book Prize. Pochoda is also a 2018 winner of Strand Critics Award for Best Novel and the Prix Page America in France.
Her work often delves into themes of female violence, societal judgment, and mythology.
Her latest novel, Ecstasy (G.P. Putnam's Sons 2025), was considered one of the most-anticipated horror books
of 2025. A horror reimagining of playwright Euripides’s Greek tragedy, The Bacchae, Ecstasy explores themes of empowerment, desire, and what happens when women reject the roles
set out for them.
Pochoda was a former professional U.S. squash player from 1998 to 2007. She joined Women's International Squash Players Association full-time in 1998, leading Harvard to national championships for four years. In 1999, she ranked 38th in the world and, in 2013, was inducted into the Harvard Hall of Fame. In transitioning to writing, Pochoda drew parallels between the discipline of sports and the discipline of storytelling. In 2011, she received her MFA in fiction writing from Bennington College, where she was James Merrill House Writer in Residence.
Ivy Pochoda now leads a creative writing workshop in Skid Row, Los Angeles, where she helped found Skid Row Zine. She is currently a professor of creative writing at the University of California Riverside Palm Desert low-residency MFA program.
Official Website: https://www.ivypochoda.com/
Wikipedia: https://en.wikipedia.org/wiki/Ivy_Pochoda
Facebook: https://www.facebook.com/IvyPochodaAuthor/
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Ecstasy. G.P. Putnam's Sons, 2025. |
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Sing Her Down. Picador, 2024.
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These Women. Ecco, 2021. |
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Epoca: River of Sand. Granity Studios, 2020. |
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Epoca: The Tree of Ecrof. Granity Studios, 2019. [Created by Kobe Briant.] |
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Wonder Valley. Ecco, 2018. |
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Visitation Street. Ecco, 2014. |
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The Art of Disappearing. St. Martin's Press, 2010. |
Photo by Nicholas Nichols
A Chicago native, poet and novelist Phillip B. Williams is the author of two chapbooks
and four full-length poetry collections, including Thief in the Interior (Alice James Books 2016), winner of the Kate Tufts Discovery Award and a Lambda Literary
Award; and Mutiny (Penguin 2021), a finalist for the PEN/Voelcker Award for Poetry Collection and the
winner of a 2022 American Book Award. Winner of France’s Prix du Premier Roman Étranger,
his debut novel, Ours (Viking 2024), was named Oprah Daily’s most anticipated title of 2024, as well as Best Book of the Year by The New Yorker, People, Los Angeles Times, and NPR. Williams's newest collection of poems, Lift Every Voice, is scheduled for release this year on Penguin Books.

In addition to being finalist for an NAACP Image Award for Outstanding Literature (Poetry) and twice awarded the Thom Gunn Award for Gay Poetry, Phillip B. Williams is also the recipient of a 2017 Whiting Award, a 2013 Ruth Lilly Fellowship, a Kenyon Review Writers Workshop fellowship, and fellowships from the Radcliffe Institute for Advanced Study at Harvard University and the National Endowment for the Arts. His work explores Black surrealism, folklore, and spirituality, along with themes of identity, social change, and the connection between language and corporeality.
Williams's writing has appeared in Poetry, The New Yorker, Boston Review, Callaloo, Kenyon Review Online, The Southern Review, Painted Bride Quarterly, West Branch, Blackbird, Ploughshares, and elsewhere. He has also served as co-editor-in-chief of the online journal, Viny Poetry.
He earned an MFA in creative writing from Washington University in St. Louis and a BA in English from the University of Illinois Urbana-Champaign. He currently teaches in the MFA in creative writing program at New York University and is founding faculty of the Randolph College Low-res MFA.
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Lift Every Voice: Poems. Penguin Books, 2026. |
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Ours: A Novel. Viking, 2024.
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Mutiny (Poems). Penguin Books, 2021. |
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Thief in the Interior (Poems). Alice James Books, 2016. |
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Prime: Poetry and Conversation. Sibling Rivalry Press, 2014. |
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Bruised Gospels: Poems (Arts in Bloom Inc. 2010). |
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Burn: A Chapbook, included in Frequencies, Volume One (YesYes Books 2013). |
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fiction/nonfiction writer Aaron BurchWidely known as a founding editor of the literary journal, Hobart, fiction and non-fiction writer Aaron Burch has authored seven books, including the novels Year of the Buffalo and A Kind of In-Between. He is also the author of a memoir/literary analysis, Stephen King's The Body, and a short story collection, Backswing. Burch is also the editor of the craft anthology How to Write a Novel: An Anthology of 20 Craft Essays About Writing, None of Which Ever Mention Writing, and is currently the editor of the journals HAD and Short Story, Long.

On his own writing, Burch acknowledges nostalgia to be a common theme: "I think passage of time is always present in my writing — sometimes more obviously, like writing about my childhood, but also when writing about more recent events, I think I’m still thinking about time, in some way. I usually start with something specific — an object, a memory, an event — and I start writing about it, trying to be as specific and honest and interesting as possible, and then it kind of grows out from there, adding reflection, thinking about what it means, why it means that, and how to try to turn it into art."
Burch grew up in Tacoma, Washington but now lives in Ann Arbor, Michigan, where he teaches at the University of Michigan. He is currently the co-editor of W&S (a.k.a. WAS Quarterly: Words & Sports) and the Substack journal HAD. He currently lives in Ann Arbor, MI.
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Tacoma. Autofocus Books, 2026 [forthcoming].. |
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A Kind of In-Between. Autofocus Books, 2023.
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The Year of the Buffalo: A Novel. American Buffalo Books, 2022. |
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How to Write a Novel: An Anthology.... Autofocus Books, 2023. |
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Stephen King's The Body: Bookmarked. Ig Publishing, 2016. |
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Backswing. Queen's Ferry Press, 2014. |
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How to Predict the Weather. Keyhole Press, 2010. |
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Award winning author Deborah Jackson Taffa is the author of the bestselling memoir, Whiskey Tender, a 2024 National Book Award Finalist that was a longlisted title for a 2025 Carnegie Medal. Named a top book of 2024 by The Atlantic, Time Magazine, NPR, Elle, Esquire, The NY Times, The New Yorker, Audible, The Washington Post, Oprah Daily, and Publisher's Weekly, Whiskey Tender won, both, a Southwest Book Prize and an International Latino Book Award, and was an Amazon Editor’s Best Choice Book for the year as well.

Editor Emeritus at the literary magazine, River Styx, Taffa's writing appears in journals and anthologies such as The Rumpus, Boston Review, Los Angeles Review of Books, Pank, A Public Space, Salon, Huff Post, Prairie Schooner, The Best Travel Writing, The Best of Brevity: Twenty Groundbreaking Years of Flash Nonfiction, The Best American Nonrequired Reading, and others. Her "Campfires" monologue play, “Parents' Weekend,” was performed in 2018 in Los Angeles at the Autry Theater’s 8th Annual Short Play Festival.
Deborah Jackson Taffa is a 2024 NEA Fellow and a 2022 winner of the PEN Jean Stein Grant for Literary Oral History. She has received fellowships from Hedgebrook, Tin House, A Public Space, the Kranzberg Arts, the University of Iowa, MacDowell, the Rona Jaffe Foundation, the Ellen Meloy Fund, and the New York State Summer Writers Institute.
A citizen of the Quechan (Yuma) Nation and Laguna Pueblo, Taffa earned her MFA in Creative Writing at the University of Iowa in Iowa City. She later taught Creative Nonfiction at Webster University and Washington University in Saint Louis. She also served as an Executive Board Member with the Missouri Humanities Council where she was instrumental in creating a Native American Heritage Program in the state. Her first manuscript, a memoir about growing up on the Yuma and Navajo reservations, was awarded the Santa Fe Writer's Literary Award by Carmen Maria Machado in 2019. She co-wrote Digadohi: Lands, Cherokee, and the Trail of Tears, a documentary that debuted on PBS in August, 2020.
Currently working on her second story collection, Deborah Jackson Taffa today lives in Santa Fe, New Mexico and serves as the director of the MFA CW Program at the Institute of American Indian Arts.
Website: https://deborahtaffa.com/
Wikipedia: https://en.wikipedia.org/wiki/Deborah_Jackson_Taffa
Social Media: @deborahtaffa
Facebook: https://www.facebook.com/deborah.taffa/
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Whiskey Tender: A Memoir of Family and Survival on and off the Reservation. Harper Perennial, 2024. |
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"Deborah Jackson Taffa: Author of Whiskey Tender." Writer's Bone Podcast, Episode 39, WBPN 27 February 2024. https://www.writersbone.com/podcastsarchive/tag/Deborah+Jackson+Taffa
"Deborah Jackson Taffa." The Kiln Project 1 October 2024. https://thekilnproject.weebly.com/deborah-jackson-taffa.html